Winter in Cold Springs, Upstate NY

A jacket belonging to autumn as much as the navy blazer belongs to summer. We wanted to create that jacket properly, in a cloth with the weight to earn its keep on cold mornings.

Russell Checks are traditionally bright and unforgiving, shouting and not whispering. We wanted to create a check pattern more in keeping with our muted and tonal style. Creating a unique fabric, soft to touch, yet tweed like to the eye, showcasing a neutral palette. Easy to wear, pair and hopefully pass down.

Stripes are back and every man needs one suit he can wear to almost anything, and for us that is a navy pinstripe flannel. We chose this cloth because it solves a problem rather than makes a statement: interviews, client meetings, weddings, the suit that has to do it all and never let you down.

Cut in our house block with a soft, warm handle for the colder months, this is the suit we would recommend first if a customer told us they could only own one.

There's a particular kind of confidence that comes from stepping into a foul winters morning already dressed for it. We didn't make this coat for the studio shot; we made it for the walk from the front door to the station, the wait on the platform, the long dark evenings that ask more of what you wear.

A greatcoat has always carried something beyond warmth: it's armour with intention, the kind of garment that lets you hold your shoulders back and your collar up while everyone else is hunched against the weather. We wanted a coat that didn't flinch, one built to be worn hard, year after year, until it stops feeling like clothing and starts feeling like a habit, the thing you reach for without thinking, because you trust it to simply do its job, and to do it with some dignity.

Red is not a colour we use often, and that is precisely why we made this one. Most of what we build is designed to sit quietly in a wardrobe; This was made for the opposite reason, for the evening you want to be noticed without putting on a jacket to do it.

We called it London Red because it needed the confidence of the city behind it, somewhere that can carry a colour like this without it feeling like a costume. This is the cardigan for the person who already has the neutrals sorted and wants one piece in the rotation that does some of the talking for them.

We wanted a suit that looked like nothing else in a man's wardrobe, something that could sit next to his denim jacket in spirit while still being unmistakably tailoring.

The cotton mohair mix gave us that: a cloth with the durability and colour and texture of denim but the crisp quality of a proper suiting. It is for the customer who wants to dress sharp without dressing formally, a suit for a dinner as easily as a gallery opening, built to be worn hard and to only get better with age.